A Short Flight to England

I’m at a social gathering of some manner, in a warm bright space. I decide it is time to leave so I say my goodbyes.

As I leave the space I am aware that I must go to England.

I find myself outdoors walking down a road. The road turns into a bridge that begins on land and disappears into the distance over the ocean. I walk onto the bridge but it  disappears below me. Below me there is ocean, the occasional island, and in time, several small aircraft. This draws my attention to the fact that I must be flying, and I have let my altitude get a little out of hand. For a moment I’m not sure what to do, I notice I’m holding something. I focus on it, it is a credit card that I am holding between the thumbs and pointer fingers of both hands. I stretch my arms out, aiming the credit card down toward earth and feel myself quickly accelerate in the direction I’m pointing it. The control allows me to drop down until I’m just skimming the water.

I approach land, the water gives way to grassy meadows and ponds. I fly low over one of the ponds, I’m surprised to see milky white fish walking around the pond, in the grass rather than in the water. One in particular has it’s spine on the outside of it’s body, looking very much like a piece of nigiri sushi.

I gently land just past the pond at the base of a flight of stone stairs. I climb the stairs, walk a few feet through what feels like a medieval town, then enter one of the houses.

There are more stairs,  I climb them and enter into a modern living room.  There is an elderly man sitting in an armchair surrounded by children.  They are all watching a huge flatscreen TV. They do not look my way as I enter the room.

I wake up.

Symmetrical Ham and $1 Houses

I’m standing at the passenger window of a minivan chatting with Nathan Fillion who is in the passenger seat. There are no surroundings, it’s like we are in a vacuum. I say goodbye and walk away from the van.

I’m going home, the route takes me, scrambling on all fours, up a steep bank of red sand. There are large birds swooping about, and every now and then I need to duck to avoid being struck by a wing. With each step more sand sloughs away under my hands and feet. I begin patting the sand down into a firmly packed trail so I can proceed to the top of the bank.  At the top there is an overhang of grass, and I make myself a bed under the overhang and settle in to sleep.

I’m woken by a sound downstairs in the kitchen. I get up and go downstairs to find Nathan Fillion in the kitchen eating a huge leg of ham. He has cut a very symmetrical slice out of the middle, leaving a cartoon like portion of a ham with a perfect slice missing. I question him as to why he would take the slice out of the middle, he says he has no time to explain.  He wipes his face on a tea towel and leaves. Several people enter the kitchen, a man I don’t know, and a few neighbours and colleagues. The man is explaining how he has houses for sale in the United States for only $1.  We have to act fast, this deal won’t last for ever. One of my colleagues is going for it. I ask what the legal and procedural costs are in addition to the $1 asking price. The man does not answer the question but provides a form for my colleague to sign. I ask if he has any documentation I can have my lawyer review, I get no response. I tell the man that I’m very interested in the deal, but I do need more information, and I would like to get a legal opinion.

I wake up.

Hotel Fiasco

I’m having an ultra restless sleep in the hotel where I’m staying this week. I’ve been awake for hours, but finally I must have fallen asleep because through the fog of sleep and the mercy of earplugs, I hear a muffled banging sound. At first it sounds like construction noise and I ignore it. It persists. I remove an earplug to hear more clearly, someone is banging at the door and yelling for me to open it.

I’m struggling to pull myself from sleep, but I feel my feet hit the floor. I start to move toward the light, there is something sharp on the carpet under my feet, it feels like I’m walking through gravel. I flick the light on, it takes a few moments for my eyes to adjust, it looks like a bomb has gone off in my room. The floor is covered with broken glass and remnants of drywall. The ceiling has large areas that look like they have caved in under a weight. I pick my way toward the bathroom, I need to get a towel to cover myself before I open the door.  The bathroom is in the same shape. I catch a glimpse of myself in a shard of what’s left of the mirror and notice that I’m already wrapped up in a bedsheet. I move to the door and open it it. Two officious hotel staff roughly push past me and move through the room. I turn and follow them, asking what has happened. I get no response. As I re-enter the main space in the room I notice there is a body dressed in dark clothes, wearing a latex mask, laying in a heap over by the tv.  There is another person, dressed in lighter clothes, with a bald head draped over a chest that sits under the window that now has a big hole through it. I think to myself that might be where all the glass has come from. I ask again what is happening, and again I’m ignored.

I see men dressed in military uniforms standing around outside the window, they don’t seem to be that interested in what’s happening inside the room. I start to feel anger creeping in that, as a paying guest, no one will tell me what has happened, what is going to happen, or even just move me to a new room so I can finally get some sleep. I begin to state these sentiments to no one in particular as I search around for my belongings. When I look back toward the window, the two individuals who were previously heaps on the floor and chest respectively are now on their feet and have been joined by 2 more men, possibly the hotel staff.  They are standing in a row facing the window, which is now whole, and gesturing toward the military men outside. The military men seem to be enjoying whatever show they are seeing, they stand there laughing.

The four men turn from the window and leave the room through the door. I’m left with a complete mess in the room, and no answers as to what the hell just happened. I walk over to look out the window and see a huge balcony that is spattered with recumbent bike machines, like you would see at the gym.  There are old women riding the bikes.

I return to bed and climb in. I wake up in my room, undisturbed but confused.

Worst Fall Fair Ever, and a Toilet on a Bus

I’m either at an event, like a fall fair or exhibition, or I’m in a small town that has a lot of activity, I’m not quite sure. What I am sure of is that I’m not having a very good time. People keep shooting me, and it’s getting really irritating. Every direction I go a new bullet pierces through me. It’s not particularly painful, just a burning sensation, and although it doesn’t hinder me in moving around, it’s quite maddening.

As I walk out of the exhibition hall, I feel another bullet pierce my left thigh and I decide I have had enough. I walk through town, taking more bullets as I go, and eventually leave the town behind me.

I walk back to town, I have the idea that if I just stay in the upper level of buildings people will stop shooting me. I am in what seems to be a hayloft in a stable, the only access is a ladder. There is a young girl grooming her horse. I tell her the horse shouldn’t be here, it can’t climb the ladder. She looks at me and carries on grooming her horse.  With nowhere else to go, I climb down the ladder, and immediately feel a bullet pierce my stomach.

I’m leaving town again, this time on a city bus with my friend Nora. We have dozens of bags and packs piled on the seat just in front of us. I sense we are nearing the stop where we need to disembark and I’m worrying about how we will collect up all our things in time to exit the bus. As I reach to press the “stop” button, Nora says she needs to go to the washroom. I look back and see only seats. She gets up, moves to the back of the bus and disappears through a door marked “Washroom” that is in the side of the bus.

I’m not sure if I should press the stop button, will she be back in time? I can’t get off the bus if she isn’t back, and if we don’t get off here we might not be able to get off at all. If I go back and knock on the door, I won’t have time to ring the “stop” buzzer.

Before I decide on a course of action, the bus makes a sharp left turn and starts on a completely new route.

I wake up.

Insta-ducks and Flying in Church

Last night’s dreams were very disjointed, but there were a few vignettes that stood out.

I’m on vacation, I have my camera and we are on a rugged coastline. As more detail comes into view I see a path winding down to the shoreline.  I follow it and come to the water’s edge. It is a rocky shoreline, and there is a large rocky island just out from the shore. There are the ruins of a castle on the island. The path that has brought me to the water disappears into the water and appears to emerge out of the water on the island. It looks like a person could walk to the island at low tide. A family of ducks paddles toward me and I consider taking a photo of them. As they get closer, I notice they already have an instagram filter applied to them. They are grainy with features that merge into brushstrokes. I spend some time trying to correct them back to their natural form through the settings of my camera. Someone calls me away and I turn back up the path.

I’m in a crowded church basement. It is a vast space with a vaulted ceiling, which strikes me as odd for a basement. I need to find the washroom, I’m advised it’s at the other end of the building, past of the crowd of people. I push upwards and find myself summersaulting through the air. I am moving much faster and floating much higher than I intended, I’m a bit concerned about the landing. The people look small below me and it’s very peaceful, other than the idle concern about sticking a landing with a full bladder. I’m in the air for a long time. I’m not in control of my speed or direction of travel, but I’m moving in the right direction. As I near the washroom I right myself so my feet are the first thing to land, and I gently set down at the washroom door.

I don’t clearly remember what else happened before I woke up.

Snap Decisions and Dressing for the Weather

I’m walking with my partner up a grassy tractor trail on the property I grew up on. There are several other people walking in both directions. Everyone is chatting and the atmosphere is light.

We crest a small rise and see a somewhat dilapidated out building. It’s cheerfully decorated with strings of lights, banners and signs. As we get closer we see a bustling farmer’s market in progress.

Inside the building is lit with more strings of lights and we slowly work our way though the building looking at the produce, crafts and curiosities. In the far corner of the building there is large room with a counter on the back wall and a large old wood burning stove near the center of the room.  There appears to be a cooking class or product demonstration underway.

The woman leading the activity looks vaguely familiar, like maybe I have seen her profile on Linkedin or somewhere. She is working at the stove, slicing something and talking. A closer look reveals she is using a neat little gadget that attaches a cutting board to a surface, in this case the edge of the stove top, and lets you swivel it out to increase your work space. I’m impressed and approach to ask her more questions. I ask a question about the device, she responds with a description of a small island off Croatia. From her description I know the island, I have been there, and my partner and I decide on the spot that we will move there.

We are back outside, many people are now lining up to get inside. The liveliness of the crowd becomes hushed, and our attention is drawn to a couple who have joined the line. The first thing I notice is their feet. They are so pale, the girl has her very white feet clad in a little mule slippers with white soles and fluffy white faux fur trim. The man has his pearly white feet clad also in mule slippers with white soles, but instead of white faux fur, he has gold trim. His legs are pasty white as well, with a halo of of golden hair sticking out from each leg. It occurs to me that his leg hair is sticking out because he’s freezing, the couple is standing in snow, as is everyone else. Everyone else is wearing long pants, boots, and long sleeved shirts. The couple is dressed all in white, with bare legs and arms. They look incredibly out of place. I’m so curious about where they came from, and why they have chosen this place to be.

I wake up.

Work Exchange in Japan

I arrive in Japan on a work exchange. I’m accompanied by a coworker, but it’s unclear who it is. We are taken to the apartment where we will be staying. I know I am in Japan, but nothing is as I know things to be in Japan. The journey to the apartment is unclear, but the apartment building itself is massive.

The elevator doors open, and we are opposite a bank of white doors set in a wall. The wall is uneven, with some doorways inset, and others jutting out. It reminds me of a massive row of bad teeth.

We move toward one of the doors, and I’m intently trying to notice the number on the wall beside the door. The number seems to be in gold paint, but it never quite comes into focus.  I struggle to read the number, I want to know what floor we are on, if not what apartment. I’m unable to see it accurately before we are led into the apartment.

Walking through the door I’m face to face with a wall. There are several suit bags hanging on the wall.  We squeeze into the apartment and sidle along the wall toward our left. The space opens up to a massive kitchen with a large center island. We move through it into the sleeping quarters. There are modest sized rooms with a twin bed in each. I enter the room I’m assigned and put down my bag.

I sit on the bed and consider why I’m here. I’m not sure what work I do. I’m not sure who I’m here with. I don’t know the number of the apartment I’m in.

I’m alerted to the fact that it’s time for a tour of the rest of the building. So far no one has spoken, and I have not seen anyone’s face. I’m not clear if I’m with one other person or ten. As we leave the apartment I try again to read the numbers by the doors. Again I’m not able to bring the numbers into focus.

We re-enter the elevator and I sense we go down a few floors. We exit the elevator and again I search for any clue as to what floor we might be on. The floor we are on is much more open, I can see windows to the outside opposite the elevator doors. I move toward the window. Through the window I see a large, round disc of a building. Its a deep blue color and seems to be suspended in the air. It has windows like the bridge of the Starship Enterprise. I can’t see anyone in it, and I can’t gauge how high up off the ground it is. I scan the area for more windows, and see a small one on the far wall. I cross the space and look out to a vast city scape. Again, it’s distorted and I can’t tell how high we are.

We are left to find our way back to the apartment. I don’t know what floor the apartment is on, or what floor I am on now.

We re-enter the apartment. There is a new woman with us, a blonde woman, with heavy tattoos. We squeeze through the narrow entrance way and move into the kitchen space. As we do she stops stops and removes her clothes. She has tattoos, large black bands all over her body. One of her butt cheeks is a cube, and the other juts out as triangle. She starts working in the kitchen. I move to the back of the apartment.

The hallway opens up into a large storage area lined with rows of shelving that extend up to the ceiling. The shelves are loaded with craft supplies, small toys and dolls, and little origami designs. I’m exploring the shelves when I’m alerted it’s time to get ready for work. I wonder what “work” will be.

I go back to the doorway to collect my suit bag.  I open it and survey the contents. There is a navy blue dress uniform that is void of crests, insignia, epaulettes or anything else that would yield a clue as to what might be ahead. More curiously, there is a rather elaborate set of head gear that includes a set of safety glasses that are connected to a earpiece and microphone. I wake up.